Note-for-note : work, performance and early notation
Music, will, and representation
On Hanslick's inconsistency
Making the codes and breaking the codes : two revolutions in twentieth-century music
Auditor's emotions : contention, concession, compromise
Experiencing the musical emotions.
Arousal theory of musical expression : rethinking the unthinkable
Absolute music and the new musicology
Movements and 'movements'
Music in memory and Music in the Moment
How to forge a musical work.