Memory and complicity: migrations of Holocaust remembrance

Introduction

Chapter One: A Soccer Match in Auschwitz : Passing Trauma in Holocaust Studies

From Primo Levi's Gray Zone to Giorgio Agamben's Shame

Traumatic Complicity

From Paradigm to Figure : Rereading the Gray Zone as Allegory

Chapter Two: Concentrationary Migrations in and around Albert Camus

Figural Contagion and Historical cordon sanitaire : The Plague

Memory and Migration : Reenvisioning Algeria

Concentrationary Circulations : Le Métier à tisser and Night and Fog

Figure as Archive : Reading The Fall with Auschwitz and Algeria

History's Endless Cry : Allegory Unbound in The Fall

Chapter Three: Auschwitz as Allegory : From Night and Fog to Guantanamo Bay

An Aesthetics of Complicity

Allegory, Ruins, and History

The Transcultural Politics of Concentrationary Memory

Colonial Countermemories : Night and Fog in Thiaroye

Coda: From Postwar France to Guantanamo Bay

Chapter Four: Crabwalk History : Torture, Allegory, and Memory in Sartre

Chapter 5: Reading Nazi Memory in Jonathan Littell's The Kindly Ones

Memory's Manufacture : The "Complicity Effect" of a Perpetrator's Testimony

Itineraries of Trauma and Tourism

Imperial Lanscapes : Intersections of Colonialism and Genocide

Chapter Six: Holocaust and Colonial Memory in the Age of Terror : Assia Djebar and Boualem Sansal

Urban Palimpsests and the Claims of Memory in Assia Djebar's Les Nuits de Strasbourg

Against Identification : Bad Education, Trauma, and Citizenship

Holocaust Memory, Gray Zones and the War on Terror : Boualem Sansal's Le Village de l'Allemand

Afterword.