Romantic narrative: Shelley, Hays, Godwin, Wollstonecraft

The trauma of lyric: Shelley's missed encounter with poetry in Alastor

Shelley's Promethean narratives: gothic anamorphoses in Zastrozzi, St. Irvyne, and Prometheus unbound

Unbinding the personal: autonarration, epistolarity and genotext in Mary Hays' Memoirs of Emma Courtney

The scene of judgment: trial and confession in Godwin's Caleb Williams and other fiction

Gambling, alchemy, speculation: Godwin's critique of pure reason in St. Leon

Whose text?: Godwin's editing of Mary Wollstonecraft's The wrongs of woman.