Pop masculinities: the politics of gender in twenty-first century popular music

Introduction : Like Pinocchio

Separating the men from the boys : New masculinities, pop music, and the social politics of interpretation

Good boy gone bad : Fashioning a post boy band masculinity

A different country? : Lil Nas X, the sound of the Internet, and queering the cowboy

Beyond Bieber fever

Dangerous and (in)vulnerable : Aestheticizing violence and dancing in Sin City

From boy band to man band : Take that, age(ing), and the display of self-irony

Conclusion : Fade-out.