Prelude: from gesture to virtual agency
Foundations for a theory of agency
Virtual environmental forces and gestural energies: actants as agential
Virtual embodiment: from actants to virtual human agents
Virtual identity and actorial continuity
Interlude I: from embodiment to subjectivity
Staging virtual subjectivity
Virtual subjectivity and aesthetically warranted emotions
Staging virtual narrative agency
An integrative agential interpretation of Chopin's Ballade in F minor, op. 52
Interlude II: hearing agency: a complex cognitive task
Other perspectives on virtual agency
