Impersonal enunciation, or the place of film

Humanoid enunciation. Humanoid enunciation

Some landscapes of enunciation (A guided tour). The voice of address in the image: the look to camera

The voice of address outside the image: related sounds

Written modes of address

Secondary screens, or Squaring the rectangle

Mirrors

"Exposing the apparatus"

Film(s) within film

Subjective images, subjective sounds, "points of view"

The I-voice and related sounds

The oriented objective system: enunciation and style

"Neutral" (?) images and sounds

A walk in the clouds (Taking theoretical flight). (Taking theoretical flight)

Afterword / Dana Polan