Prolegomena : Thinking about drawing
Authorship and connoisseurship
Part one : Drawing as continuum
The origins of drawing and the primacy of line
The persistent cult of the sketch
Finished, autonomous and presentation drawings
Part two : The linear economy
Line, mark, linear codes and touch
Invisible lines : the affective semiotics of design and composition
Part three : Drawing as discipline
Bodies in pieces : anatomical and drawing manuals for artists
The complex contradictions of copying
Part four : Drawing the self
Drawing the drawer : the naturalisation of practice
Drawing the studio : power and legitimation
Part five : Drawing the other
Charged lines and vernacular bodies
Part six : Drawing the future