Second person singular: late Victorian women poets and the bonds of verse

"I, for thou callest such": Christina Rossetti's heavenly intimacy

"Appraise love and divide": measuring love in Augusta Webster's Mother and daughter

The strain of sympathy: A. Mary F. Robinson, the new arcadia and Vernon Lee

"Be loved through thoughts of mine": Alice Meynell's intimate distance

"So I can wait and sing": Dollie Radford's poetics of waiting

Conclusion: Mary E. Coleridge and the second person plural.