After Caliban: Caribbean art in a global imaginary

Introduction : "Wat wrong wit dis place?"

From behind God's back : Janine Antoni's embodied histories

Meeting in the upper room : Belkis Ayón's La cena, 1988-1993

Historical drag : genre, violence, and history in Edouard Duval-Carrié's Mardigras at Fort Dimanche, 1992

The Caribbean does not exist : Maurizio Cattelan's 6th Caribbean Biennial, 1999

Conclusion : "Wrong Way" Lenny, tempests, and other détournements.