1. Dread "I" In-a-Babylon: ideological resistance and cultural revitalization.
2. Rastas' psychology of blackness, resistance, and somebodiness.
3. Rastafari and the exorcism of the ideology of racism and classism in Jamaica.
4. Gender and family relations in Rastafari: a personal perspective.
5. Rastawoman as rebel: case studies in Jamaica.
6. The epistemological significance of "I-an-I" as a respsonse to Quashie and Anancyism in Jamaican culture.
7. African dimensions of the Jamaican Rastafarian movement.
8. Marcus Garvey and the early Rastafarians: continuity and discontinuity.
9. Who is Haile Selassie? his imperial majesty in Rasta voices.
10. The Rasta-Selassie-Ethiopian connections.
11. Chanting down Babylon outernational: the rise of Rastafari in Europe, the Caribbean, and the Pacific.
12. Chanting down Babylon in the belly of the beast: the Rastafarian movement in the metropolitan United States.
13. Personal reflections on Rastafari in West Kingston in the Early 1950s.
14. From burru drums to reggae ridims: the evolution of Rasta music.
15. Bob Marley: Rasta warrior.
16. Chanting change around the world through Rasta ridim and art.
17. Towering babble and glimpses of Zion: recent depictions of Rastafari in cinema.
18. Discourse on Rastafarian reality.
19. The black biblical hermeneutics of Rastafari.
20. The structure of ethos of Rastafari.
21. The first chant: Leonard Howell's "The promised key".
22. Rastafari's messianic ideology and Caribbean theology of liberation.
